Watch - Richa Chadha shares BTS of her prep from the sets of her solo Kathak song from Heeramandi, reveals the tears in the song were all real
Richa Chadha took to Instagram to share a montage of her BTS moments from the shoot of her song - Masoom Dil Hain Mera. Richa wrote on the social media platform, sharing with the audiences - Wanna see what all goes into making a memorable character dancing her swan song with a master - The SLB?
2 hours of hair and make up ... got to work with @tanujadabirmakeup and @ashisbogi for #masoomdilhaimera! Then the heavy, oh so heavy Anarkali by @rimpleandharpreet!
#lajjoheeramandi. The cute doggies on set were the best stress busters... you see here, me cuddling with the best baby puppers in a break, and our set favourite Bagheera taking a lap ride with Ashis! Some mirror practice of the bhaav, walking to our beautiful set, gearing up for the challenge!!!
And afterwards...
The tears are real... so you see Tanuja removing the remains of running mascara from under my eyes... tell me what did you think of that last shot of Lajjo dancing”.
Richa reveals that the tears she shed in the song were real and came from her emoting the very emotionally heavy and crucial song in the show. Allegedly the Anarkali suit that Richa wore in the song is nearly 40 kgs. The song is a crucial point in the show, which has earned Richa immense love and praise for her character, Lajjo. Social media has been abuzz with incredibly rave reviews for Richa, calling it her career best performance. Many users on soon commented on this compilation of BTS moments with one user saying, “Each time you made eye contact with the camera, my heart sank each time. Lajjo was drowning in her pain; and for a few moments I felt like I was there with her. Idk how you did it, but I'm in absolute awe of you”, another one said “Your portrayal as Lajjo is beautiful and something that we can't describe in words. The last dance of yours makes us all cry”.
Richa’s character as Lajjo is being lauded as her career bet performance not just by the audiences but by the critics too.
No comments